9/15/2023 0 Comments Pro tools templates![]() So Keyboards, Piano, Strings go to the A Bus, Drums/Bass B Buss, Guitars to C Bus, D Bus is for effects and Backing Vocals, E is just a clean Bus used to maybe bring something out with coloring it. So he splits tasks out and puts them on separate Aux Busses. He essentially uses different compressors to prevent scaling issues whereby a compressor setting to accomplishes one thing, adversely affects another thing. It seems to be a very convenient methodology.ĪBCDE are used for multibus compression that are part of Brauer's process. I could always just gain the tracks individually for the purpose of doing what the small fader does i but would like to try this method first. The real question is about implementing VCA's in a way that I can accomplish the goal of having two touch points for VCA levels (more below). An added bonus would be someone responding that does know about Routing Folders but I don't think knowing them is necessary for solving this issue. Nothing really applies specifically to PT in this question, that Routing Folder information was provided for context. If anyone has a better solution for this template routing I would love to hear it. After learning about VCA's am really a big fan of using them for a myriad of reasons that most of you are probably aware of. This may be the only way but it does seem a bit convoluted compared to how it is set-up in the Pro Tools template. Then created VCA's for these Aux Buses which will affect the levels going into the ABCDE buses where all the Brauerized compressors live. I am then sending the individual tracks in these folders to Aux buses, like to Drums, Bass, Guitars Auxes, etc. These tracks contain all the audio content that I imported into the template. My temporary work-around is using a combination of Summing Folders (which are essentially VCA's) to act as the small fader. Brauer demonstrates this process in his Puremix Video recently released. The large fader VCA in this template will affect the signal going into the ABCDE buses so the result is you can just move the VCA fader to find the sweet spot of these compressors rather than tweaking every single track to find it. Large Faders affect signal going to the Aux buses. on the individual tracks are fed less signal, as are any sends. For those like me who have never worked on a console, these small and large fader terms refer to old school consoles where the small fader affects the track level(s), meaning as you pull down the VCA the compressors, etc. ![]() My goal in the template is to have small fader VCA's to affect the track level(s) and large fader VCA's that affect levels going into the ABCDE busses, these VCA's and bus compression are part of Brauer's process. I have to say that Routing Folders in PT are pretty slick, kind of like a Track Stack but not quite. I have the template generally recreated, however, my questions are around Routing Folders in ProTools vs. His template was unfortunately only released in Pro Tools format. I signed up for a 30-day eval of Pro Tools to pick apart the template and recreate it in Logic, however, I have a few questions on how to best accomplish this task. I am trying to duplicate the Michael Brauer Pro Tools Template that he recently released on Puremix, in Logic Pro X. ![]()
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